Published in 1997, this interesting and diverse anthology is the outcome of work that was produced by members of the Hove Writers Club. It will appeal to people of all ages and backgrounds, who should enjoy this inspiring work, which reflects the creativity and freedom of expression that has emerged from the pens of its authors. Including poetry and prose, it focuses on the details of everyday life through the medium of creative writing. The enthusiasm and energy of the writers comes across vividly, and this should appeal to readers of all levels; from the academic to the pleasure seeker, as well as to audiences who are new to poetry.

This personal history features the growth of the community of North Moulsecoomb. These are the reminiscences of Sheila Winter, who was born, raised and married in the community, and who narrates the story of her life during the years between 1929 and 1950. Through her eyes, the reader learns of the pleasures of childhood, despite the hardships and restrictions brought about by the Second World War. Sheila shares with the reader her personal hopes, fears, struggles and achievements as she describes her life’s progression. Above all, the resilience of the human spirit shines through this honest and reflective account of one woman’s life history.

In this poignant book, the author writes with candour about her experience of growing up in a workhouse children’s home in London during the Twenties and Thirties. Kathleen Dalley’s story is told with clarity and sensitivity, yet refrains from sentimentality. She describes an institutionalised childhood where strict members of staff upheld the rules and procedures that were in place, and the institution took the place of the family unit, having overall responsibility for the upbringing of the children in care. This is an important and compelling work that vividly describes both a personal and a social history of the times. It depicts the actual experiences and expectations of working-class girls, who at best, as adults went into service, or at worst were sent to the workhouse.

This autobiography depicts the trials and tribulations experienced by a hard-working apprentice electrician, as well as documenting times of laughter and fun. Tim Wren was fourteen when he left school and started work in wartime Brighton. In time, the opportunity arose to become a full apprentice and ‘go out on the tools’. Tim’s work took him to many different places, including the Royal Pavilion, when it was converted into an army hospital for Indian soldiers and an Italian prisoner of war camp in Billingshurst, West Sussex. However, if the truth be told, Tim seemed to spend most of his working hours with his colleagues, frequenting the teashops of Brighton!

This is a child’s-eye view of carefree times spent in the 1930s and the more difficult times experienced in the 1940s, in the poverty-stricken Albion Hill area of Brighton. Meet the characters in John Knight’s resilient family unit - above all, his parents, who were determined to shield their offspring from the hardships of their own youth and to help them have a life that was better than their own. Read about the escapades of a genuine born and bred Brightonian.

In these reminiscences, Ron Cunningham, alias 'the Great Omani', presents tales and adventures from the life of a professional stuntman. Ron’s inspiration was the renowned escapologist, Houdini and in describing the exploits that he undertook as part of his unusual career, echoes of Houdini’s famous tricks can be spotted. For example, Ron once had to travel from Hastings to Piccadilly in London encased in a concrete coffin, and another time, he jumped off the West Pier bound in chains. His stunts ranged from the bizarre to the spectacular and dangerous. Warning - not to be tried at home!

One winter in the 1980s, Ernie Mason was at a loose end, so he bought a notebook and began to write his autobiography. This story encapsulates a working-class man’s journey through life over the course of the twentieth century, documenting the many changes that took place in the local environment and in social conditions. Born in 1906, Ernie lived all his life in Hove, except for a short period spent in the Navy during the war years. His childhood was spent in a neighbourhood that was full of market gardens, orchards and fields. Ernie recalls vivid memories of growing up, of his working life and finally of retirement after sixty years of work, having begun his working life at the tender age of eleven. The narrative not only provides a unique personal history, but also depicts a largely forgotten way of life in a bygone era.

This is an anthology taken from work that was produced by the Hangleton and Brighton Women Writers’ groups. The Hangleton group started meeting in July 1988 as part of the Hangleton and Knoll Community Festival. The aim of the programme was to introduce new writers and audiences to the notion of creative writing, using a variety of methods, to explore the central concerns and themes that impact on women’s lives and to draw on their life experiences. For many women, it was the first time that they were able to see their work in print, and this was a positive and uplifting experience for them.

Born in 1908 at the Marquess of Exeter public house, which was run by her parents, Marjory Batchelor spent her working life as a barmaid and pub landlady in and around the Brighton area. Marjory recalls her experiences of the licensed trade through two World Wars up to the present day. From the days of spit ‘n’ sawdust and horse-drawn drays, to the arrival of fruit machines and ‘pub grub’ – Marjory remembers it all with humour and affection. Her account documents the many changes that have taken place in pub life in Marjory’s lifetime, and provides an interesting social history of the industry, through first-hand experience.

This diverse anthology of short stories is a rare excursion for QueenSpark into publishing fiction. The stories explore childhood themes from an adult perspective, often in a quirky and original style. The content is entertaining, with a clear sense of humour evident throughout. The book recognises that writing fiction is part of a personal, subjective process and the stories in this collection reflect the individual experiences, ideas and inspirations of each of the writers. Through the writing process, it has allowed people who might not otherwise have classified themselves as authors to see their creativity find an outlet through the publication of this work.